Kurt Kren Filmes

An eccentric homage to the Rainer Werner Fassbinder days of German filmmaking.

At the center are takes which do not change - a tree in a field in Vermont, U.S.A. Since the film was shot over a period of fifty days, the single...

Kren’s 10/65 Selfmutilation is developed from a Gunter Brus “action”. What the film emphasizes is the surrealistic drama of...

Zeichenfilm - Balzac oder das Auge Gottes is a play on the idea of trick film. And trick film it is. The 30-second work is shown twice in case the...

Kren shows the cinema (mentioned in the title) during and after film presentations. He uses single-frame and time exposures 5 to 30 seconds long....

A guy having sex with a woman on a rooftop – just to get her coffee-machine.

Home movies shot on Super 8mm by W+B Hein over 10 years.

Almost as if entering the picture frame by chance, mute characters lean out of Viennese apartment windows, simply to have a look.

The first embodiment of (a) concept of structural activity in cinema comes in Kren's Bäume im Herbst, where the camera as a subjective observer...

"Action" by Günter Brus. At first Kren did not want to show the film, because the image is underexposed. A copy of the negative material turned...

This three-minute film was far more akin to the American-style "happening" in that the content was not particularly extreme. It was built up from...

Filmmaker Jonas Mekas films 160 underground film people over four decades.

A portrait of the Austrian avant-garde artist Otto Mühl/Muehl (1925-2013), whose work combined sex, violence, gastronomy and bodily effluence...

Kren frames the image to suggest a proscenium, with a view to the harbor that conveys a literal sense of “tele-vision”. The static...

Kurt Kren recorded the last television debate in the Reagan/Mondale election campaign. In the viewfinder, the television filled the entire picture,...

In Schatzi Kurt Kren films a photo which shows an SS officer standing on a town square which is littered with dead bodies.

"In 1983, I got a job as a museum attendant and abandoned film-making entirely. And so the question arose: "no film?," and the conclusion I came to...

A report about an Underground Festival on tour through Germany and Switzerland.

In the first action he filmed, 6/64 Mama und Papa, Kren’s editing leads to many interlocking continuous shots; central takes recur like a...

A meadow, a lake, the silhouette of a hill, trees. 21 days of the same view in Saarland. 21 days with five different cut-outs in a mask before the...