Gaël Badaud Filmes

Eyes and ears travel discontinuously through everyday life and the sub-worlds of the city and the body. A fragmented and subjective day-to-day...

All of history, that of Christ or any other, permeates the world, leaves its mark, modifying and informing history, and all that the human reproduces...

The purpose of the film is to go beyond the notion of the body as a system of functions, symptoms and reflexes that try to delimit the whole body....

Outtakes from Maya

An approach to Gaël Badaud and his activity as a painter: the birth of his paintings and the tight bonds between his work and his personal...

Experimental short by Teo Hernández.

One of my last films to be made indoors was La vie brève de la flamme. I used light in a very expressionist manner — still with the...

Teo Hernandez films waste and scrap found on the pavements of the streets of Paris. “Sidewalks are great subjects: garbage, objects and...

A gong will never abolish chance? If chance is travesty of desire, and desire movement without measure, cinema is vibration of this desire in fugue.

In the early '80s, this collective of artists invented a style of cinema made in 4 hands, where each of the protagonists is also a filmmaker.

Experimental short by Teo Hernández.

Winter 1978-1979: In his signature style, Hernández films hearty meals, long afternoons and candlelit dalliances inside his residence on rue...

The tetralogy pieces are dominated by the concept and presence of death, foreclosure, fetal vertigo. As such, CRISTAUX is a real descent into an...

Through the use of portraits, shadow play and reflections, this series of exercises with and from body language compose a "four-handed" look against...

The construction of the film outlines the successive steps of a path that, as we move forward, reveals the different stages of its presentation: the...

This film is the most "plastic", the most "actionist" of Nedjar: it is his In contextus or his Double Labyrinth. Except that here - a single actor...

The song composed by the author modulates the phases of the film and constitutes, in its entirety, the specific form of a call.