Filmes

German director Werner Schroeter invited his favourite opera singers to a 13th century abbey near Paris. There was no pre-planned action. There was...

"The film starts with a shot of a cassette recorder, and it has a juke box in it. There’s always music in it. When I was asked by some critics...

Carla is a different form of homage, in which Carla Aulaulu sings a song by Gitta Linds.

Animated stills of Maria Callas and overlaid with a soundtrack of her singing.

Schroeter’s film is a chronicle of Germany from the Nazi era until the economic boom of the 1950s and 1960s, centering on three women who...

Two women, one from Boston and one from Germany, flee their empty lives to seek fulfillment in Mexico. The Black Angel is a transitional film; on one...

With the ascetic grandeur of Carl Th. Dreyer’s The Passion of Joan of Arc, Schroeter evokes the visions of Saint Joan, partly through unused...

Werner Schroeter's stunning split-screen short deals with what the director called "archaic, fundamental themes" of love and mourning.

Werner Schroeter's lovely and touching portrait of the great German actress Marianne Hoppe, whose career spanned from the glory days of the Weimar...

Collage of dramatic scenes, some exaggerated to comic effect, with asynchronous sound from well known classic, operatic, and rock and roll music...

A love triangle, accompanied by traditional German Christmas songs.

Feminist short film set in West Berlin.

Werner Schroeter was one of the most significant proponents of New German Cinema. Schroeter was diagnosed with cancer in 2006. In her film, Elfi...

Vivre à Naples et Mourir (Entretien avec Werner Schroeter) is the sound recording of this informal meeting, which took place on 20 May 1978...

Schroeter's virtuosic staging of the Oscar Wilde tragedy is a complex montage of image and sound, filmed on the grand steps of Baalbeck, the ancient...

In a dark and spare theatrical space, four characters use gesture, language, and movement to explore themes of desire and mortality.

Thirty years of Neapolitan history (from 1942 to 1972) through the ups and downs of the Cavioli and Pagano families.

Paula–’je reviens’ is one of Schroeter’s first experiments in choreography, as he stages actors in an empty room.

Aggression, Schroeter’s first 16mm film, is the fictive portrait of a woman who is oppressed by her (unseen) boyfriend.